in online exhibition 55 Years of Schellmann Art








Pyramid, 1989
Four different anodized aluminum plates, 104 x 144 x 3 cm each (41 x 56½ x 1 in). Edition of 30, signature and number etched on verso.
Keith Haring’s Pyramid edition from the 1980s illustrates his endeavor to merge universal symbolism with his distinctive, dynamic visual language. The pyramid, an archetypal symbol with deep spiritual and cultural significance, is transformed in Haring’s interpretation into an emblem of movement, vitality, and human connection. His iconic figures – crawling babies, barking dogs, and dancing figures – permeate the composition, adding narrative depth and social relevance. The choice of anodized aluminum as a medium enhances the vibrancy of the colors and emphasizes the crisp linearity of the forms.