Online Exhibitions

We present a new group portfolio with works by 14 artists, each dedicated to the topic of the face. The result is a collection of 30 prints that examine faces of our contemporary world in manifold ways – with the original techniques on which the prints are based ranging from painting to photography to technology-based image creation and manipulation, and the motifs from human to abstract to fantasy.

To celebrate 55 years since the founding of Schellmann Art (formerly known as Edition Schellmann), we take you through seminal collaborations with artists including Andy Warhol, Joseph Beuys and Keith Haring, our cooperation with Documenta and Venice Biennale, and the many boundary-pushing edition projects Jörg Schellmann has brought to life. 

This exhibition presents a new series of works by Anselm Reyle: rich in perceived texture and vibrant colours, the works contain silver foil elements that have been applied to replicate the tactile surface texture of Reyle’s paintings. Additionally, the artist applied acrylic paint splatters to the prints, thus making each a unique work of art. To mark the release of this new series, we spoke with Anselm Reyle and curated a selection of other handworked editions.

With Paperless Prints, we present two new releases by Peter Halley and Cory Arcangel that are anything but traditional prints, and showcase a variety of other works from our archives that were indeed printed but not on paper. These works often do not require frames and are very close to being three-dimensional objects. 

For his series Mondrian’s Work I-XVI – 16 neon works the artist created between 2005 and 2015 – Joseph Kosuth approached Mondrian's paintings on a conceptual level by placing quotes taken from Piet Mondrian's writings into the color fields of Mondrian's iconic compositions. Now, Joseph Kosuth and Schellmann Art present a new portfolio of editions based on the aforementioned 16 neon works.

We have had the honour and pleasure of supporting Thomas Ruff on his editions journey from the very beginning. Since 1988, we have published over 150 works together and collaborated on the artist's catalogue raisonné Thomas Ruff – Editions 1988 - 2014, cataloguing his entire print oeuvre. 
After 35 years as Thomas Ruff's main publisher, we are now joining forces with the artist's gallery David Zwirner to co-publish his editions, starting with our newest release, d.o.pe., a portfolio of digital pigment prints based on Ruff's most recent body of works. The title of the series refers to Aldous Huxley’s autobiographical volume The Doors of Perception from 1954.

Schellmann Art's 17-year-long collaboration with Liam Gillick spans a wide range of works, including prints, wall installations, aluminium objects and even furniture. This online exhibition features a conversation with Liam Gillick and presents two new series of aluminium wall objects: Replicated Revision and Equal Quarters.

Our inaugural exhibition examines the ways in which the archetypal medium of painting translates into editioned artworks. Due to the enormous historical, cultural and emotional value we place on the art of painting, many artists still find ways to reintroduce the “brush stroke” or handwork aesthetics into their prints (and multiples).