Special Offers

Lithograph, 60 x 45 cm (23½ x 17¾ in). Edition of 100, signed and numbered.

This edition by Franz Ackermann, which combines lithography and photography, depicts urban processes that Franz Ackermann has observed on his travels in the form of so-called “mental maps”.

sold

Published for Documenta 11 
Transparency in light box, 90 x 55 x 10 cm (35½ x 21½ x 4 in), edition of 20, signed and numbered on label on verso.

"My project is about learning to listen to difference, difference in shadows, microcosms, and sensitivity. Listening with the eyes, listening to changes in tone, difference of color. The work is not a personal indulgence, it is about making sense through the medium of aesthetics." To shoot her film for Documenta11 Zarina Bhimji returned to Uganda after living in London since 1974 to confront the impossibility of coming to terms with what has happened. She took photographs of architecture, airports, graveyards, military barracks, police cells and prisons left over from the time of Idi Amin's regime of terror. Both real and imaginary, emotionally saturated with their original reference, these representations are always fragments, pieces of a labyrinth of displacement.

€ 2,500  € 1,500 / $1,700  shipping costs included

Published for Kunsthaus Bregenz
Screenprint on plexiglass, in lacquered iron frame, 60 x 50 x 4 cm (23¾ x 19¾ x 1½ in). Edition of 25, signed and numbered on label.

The title Trophée links a group of works for which the artist transferred drawings onto Plexiglas panels using screen printing. The flat picture surface is framed by a galvanized sheet of iron. For this edition, which we published for the Kunsthaus Bregenz, Bustamante chose an animal motif that characteristically strikes a balance between a naturalistic form with recognition value and a purely abstract and confidently placed color symbol. 

€ 2,200  € 1,320 / $1,600  shipping costs included

Color lithograph and collotype, 74.5 x 55.5 cm (29¼ x 22¾ in), edition of 999, signed and numbered.

€ 1,200  € 720 / $850  shipping costs included

Lithograph with silkscreen on rag paper, 76 x 101.5 cm (30 x 40 in). Edition of 55, signed and numbered, #35/55.

€ 2,500  € 1,500 / $1,700  shipping costs included

From Double Exposure
Two chromogenic prints, 26,5 x 30,5 cm (10½ x 12 in) each, mounted on Museum board, 48.5 x 54.5 cm (19¼ x 21½ in). Edition of 45, signed on both images, numbered.

Bill Jacobson (born 1955, lives and works in New York) has been making diffused, out-of-focus photographs since 1989. They refer to the way the mind works, as opposed to the way the camera traditionally "sees". A crisp, modern snapshot tends to render the world with far more detail and clarity than our brains can ever comprehend. Jacobson's images from the early and mid-nineties were mostly close-ups of figures silhouetted against white or black, suggesting past lives, past relationships, or friends who have passed away. The more recent color work, shot on the streets of New York, emphasizes presence rather than loss. Yet still, the lack of clarity speaks to the fragility, and tenuousness, of life itself.

€ 1,500  € 900 / $1,000  shipping costs included

Two silkscreens on Schoeller Hammer 300g paper, 56 x 74 cm (21¾ x 28¾ in). Edition: 100 (+ some A.P.), signed and numbered.

Donald Judd’s drawings deliberately avoid any illusionistic sense of depth through their isometric representation, in order to make the actual dimensions of the objects directly perceptible instead. In the drawing on the right in this edition, a three-sided, half-height steel wall is placed in opposition to a similarly three-sided spatial structure. Due to the absence of shading and perspective foreshortening, the two elements visually merge, so that their spatial differentiation becomes apparent only upon closer inspection. In doing so, Judd remains true to his conceptual clarity by reflecting on the perception of space, materiality, and structure in their most basic conditions.

special price  € 3,000 / $3,300  shipping costs included

Lithograph from stone, photo litho and oil stick, on rag paper, 49.5 x 69.5 cm (19½ x 27¼ in). Edition of 90 + XX, signed and numbered.

Jannis Kounellis, whose work is often characterized by a reduced, colorless material aesthetic, deliberately embraces the expressive power of color in this edition. With the words blue, green, violet, and yellow, he references the tradition of painting and its tonalities, which are here celebrated in their pure presence. The intentional selection of these colors and their composition evoke associations with classical art history, while at the same time, Kounellis translates the painterly gesture into a new, conceptual context.

€ 1,800  € 1,080 / $1,200  shipping costs included

Published for Documenta 11 
Porcelain plate, baked silkscreen, 24 cm diameter (9½ in). Edition of 80, signed and numbered.

Since the beginning of the 90s, Manfred Pernice has been working on his open sculptural vocabulary, which is marked by modern packaging, transport tools, and architectural references. Manfred Pernice builds 'places'. Large ones, that take up an entire exhibition room, and alongside these, he is constantly turning out little pocket-sized models that could be designs for other large-scale projects. These places, however much they are bound by realistic details, they remain models, illusions, enigmatic objects. The plate ESTREL – a portable place.

€ 600  € 360 / $500  shipping costs included

From Cadavre Exquis / Manet Olympia 
Digital pigment print, on Hahnemühle Photo Rag, hand-torn, 54 x 40 cm (21.25 x 15.75 in). Edition of 20, signed and numbered on label verso.

special price  € 900 / $1,000  shipping costs included

Digital pigment print (Ditone) on photo rag paper, 100 x 70 cm (39½ x 27½") edition of 30, signed and numbered.

€ 1,200  € 720 / $850  shipping costs included

Lambda C-print, 45 x 60 cm (17¾ x 23¾"). Edition of 60, signed and numbered, #54/60.
Condition: two dents in image on left side.

€ 1,800  € 1,080 / $1,200  shipping costs included 

LP record with the National Anthems of the 27 states of the European Community played simultaneously and continuously (Side A), and the National Anthem of the European Community played backwards and continuously (Side B). 31 x 31 cm (12¼ x 12¼ in). Edition of 100, signed and numbered.

Santiago Sierra’s LP edition transforms national symbolism into a dissonant sound intervention. On Side A, the national anthems of all 27 EU member states are played simultaneously and without interruption – producing a chaotic, overlapping mass of sound that drowns out individual identities in a noisy, unresolvable whole. On Side B, the official anthem of the European Union (based on Beethoven’s “Ode to Joy”) is played in reverse, subverting its familiar harmonies into an unsettling, unfamiliar score. The work exposes the contradictions of collective identity and the limits of unity in diversity, using the charged language of national music to question power structures, cultural representation, and political illusion.

€ 300  € 200 / $300  shipping costs included

Offset lithograph on rag paper, 83.5 x 59.3 cm (33 x 23½ in). Edition of 15, signed and numbered.

€ 1,000  € 600 / $720  shipping costs included