Studie/Denkmal für einen Trickfilm, 2009

In this edition, Thomas Scheibitz explores the dynamics of repetition and variation across four closely related prints. Each work revisits the same foundational composition – featuring bold geometric shapes such as cubes, circles, and angular planes – but with painterly shifts in color, texture, and emphasis. Dominated by a graphic palette of red, black, blue, and white, the sequence echoes the sequential logic of animation, as if capturing frames from a visual narrative in motion. With this series, Scheibitz fuses the structured language of abstraction with a sense of movement and transformation, inviting viewers to reflect on how form and meaning evolve across iterations.