Thomas Scheibitz

From FACES
Three digital pigment prints on Hahnemühle 300g rag paper, hand-torn, each 60 x 50 cm. Edition of 45 + 8 AP, each signed on label verso, numbered on the prints themselves. 
[The order of the three works as a triptych is determined by the artist.]

This edition by Thomas Scheibitz comprises three individual works, each portraying a stylized head rendered through an interplay of color, line, and geometry. Though abstract in appearance, each face is strikingly expressive, with forms that hint at psychological depth or narrative suggestion. The titles of the works may align with your interpretation – or deliberately defy it. As Scheibitz explains, “Portraits or heads are one of the most important sources for me when observing people. The transformation into a picture or a sculpture begins independently of patterns of similarity or direct recognisability. What interests me is a character that can become visible.” While conceived as separate pieces, the three prints may also be displayed together as a triptych – so long as they follow the exact sequence defined by the artist, as shown here.

Each EUR 1,200
Triptych EUR 3,200

From Cadavre Exquis / Manet Olympia
Digital pigment print, on Hahnemühle Photo Rag, hand-torn, 54 x 40 cm (21.25 x 15.75 in). Edition of 20, signed and numbered on label verso.

Part of a collaborative project, this edition by Thomas Scheibitz responds to Édouard Manet’s Olympia. In his interpretation, Scheibitz deconstructs the original painting by separating its two central figures and repositioning them across the picture plane – introducing distance, tension, and an entirely new spatial logic. Into this rearranged composition, he inserts his signature visual vocabulary of bold, graphic shapes and stylized forms. The result is both a nod to art history and a distinctly contemporary reconstruction: a dynamic interplay between figuration and abstraction that reframes the familiar with Scheibitz’s unmistakable formal language.

EUR 1,500

From Forty Are Better Than One
Double-sided 6-part leporello, digital pigment print (Ditone) on 308 g Hahnemühle Photo Rag paper, 32 x 150 cm (12½ x 59 in). Edition: 75, signed and numbered on label on archival sleeve.

Thomas Scheibitz’s edition Lexikon is a large-format horizontal print composed of six panels, printed on both sides. The front presents a sequence of abstract-figurative compositions in vivid colors: fragmented forms, architectural elements, and graphic structures converge to form complex visual spaces. The reverse reveals a drawn vocabulary of pared-down line illustrations – a kind of visual archive of objects, symbols, and signs, punctuated by sparse touches of color. Balancing systematic structure with associative openness, Lexikon reveals the artist’s visual thinking and unites two central strands of his practice: painting and drawing, surface and structure, order and imagination.

EUR 800

Set of four digital pigment prints (Ditone) on Etching paper, 42 x 62 cm (16½ x 24½ in) each. Edition of 30, each signed and numbered.

In this edition, Thomas Scheibitz explores the dynamics of repetition and variation across four closely related prints. Each work revisits the same foundational composition – featuring bold geometric shapes such as cubes, circles, and angular planes – but with painterly shifts in color, texture, and emphasis. Dominated by a graphic palette of red, black, blue, and white, the sequence echoes the sequential logic of animation, as if capturing frames from a visual narrative in motion. With this series, Scheibitz fuses the structured language of abstraction with a sense of movement and transformation, inviting viewers to reflect on how form and meaning evolve across iterations.

Set EUR 3,000