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Forty Are Better Than One – Edition A, 2009

From Forty Are Better Than One
Portfolio of seven leporello (zig-zag folds) works by seven artists, only available as a complete set. 

Beuys: Manuscript for the performance printed in digital pigment print on four seven-part card stock leporellos, 32 x 175 cm each. Edition: 150, numbered, unsigned. Plus DVD of a broadcasting of Hessischer Rundfunk with fragments from the performance held May 30, 1969, and a subsequent debate.
Flavin: 7-part leporello, digital pigment print (Ditone) on 230 g card stock, 32 x 175 cm (12½ x 69 in). Edition: 150, unsigned.
Haring: 11-part leporello, digital pigment print (Ditone) on 188 g Hahnemühle photo rag paper, 32 x 275 cm (12½ x 108¼ in). Edition: 150, unsigned.
Judd: 10-part leporello, digital pigment print (Ditone) on 188 g Hahnemühle Photo Rag paper, 250 x 32 cm (98½ x 12½ in). Edition: 150, unsigned.
LeWitt: 6-part leporello, digital pigment print (Ditone) on 230 g card stock, 32 x 150 cm (12½ x 59 in). Edition: 150, unsigned. A quarter of the edition printed in gray, red, blue, and yellow, respectively. 
Paik: 10-part leporello, digital pigment print (Ditone) on 260 g Hahnemühle baryta paper, 32 x 250 cm (12½ x 98½ in). Edition: 150, unsigned. 
Warhol: Three 8-part leporellos, silkscreen on 170 g Phoenix Motion paper, 32 x 200 cm (12½ x 78¾ in) each. 

As a special edition of the Edition Schellmann Catalogue Raisonné 1969 - 2009, Edition Schellmann published a series of leporellos to accompany the catalog. These leporellos are long pieces of paper, folded in a zig-zag pattern down to the size of the catalog. Unfolded, they are large-size prints with extreme proportions. 
Edition A of this series is a portfolio of seven leporellos with reproductions by Edition Schellmann artists who are no longer alive. Therefore these leporellos are numbered but unsigned. They bear copyright stamps and other authentication information on verso. 
All works are realised as leporellos, folding down to a 32 × 25 cm format for shipping and storage.