Unique Artworks
The distinction between so-called originals and editions is sometimes difficult as the former can in fact exist in small edition numbers – as is often the case for photography-based or sculptural artworks – and the latter can include unique features that make it one-of-a-kind. In these cases, it often depends on the artist’s definition and intention behind an artwork.
The following is a selection of unique artworks or so-called originals.
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Tobias Rehberger
Spy, 2019
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Damien Hirst
Beautiful Flavour of the Month, 2014
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Dan Flavin
Untitled (to Robert Ryman), 1996
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Joseph Kosuth
Quoted Use #1-8, 2019
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Heimo Zobernig
Untitled, 2004/2019
EUR 6,000
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Heimo Zobernig
Untitled, 2004/2019
EUR 6,000
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Dan Flavin
Untitled (to Jörg Schellmann), 1994
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Dan Flavin
Untitled (to Jörg Schellmann), 1994
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Joseph Beuys
Badewanne für eine Heldin (Bathtub for a Heroine), 1984
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Monica Bonvicini
Home is Where You Leave Your Belt, 2019
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Sol LeWitt
Wall Drawing #891, 1998
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Haim Steinbach
Untitled (Thonet chair, Jackson guitar), 2019
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Dan Flavin
Untitled (to Mary Elizabeth), 1992
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Dan Flavin
Untitled (to Madeline and Eric Kraft), 1992
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Gerhard Merz
The Chair of the Architect, 2019
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John Armleder
Untitled (Thonet), 2019/2025
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Joseph Kosuth
Thonet in Triplicate, 2019
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What are unique artworks vs limited editions?
Generally, a unique artwork is a one-of-a-kind creation – such as a painting, drawing, or sculpture – that exists as a single original work. A limited edition, by contrast, consists of a set number of identical works, each signed and numbered by the artist, with no further editions produced once the run is complete.
While these are two distinct categories, the picture is often more nuanced. Many works exist between the unique and the editioned: unique trial proofs, printed to experiment with color or composition before an edition is finalized; unique variations, where an artist alters each impression by hand, making every example different; sculptor’s editions, where a limited number of casts are produced, each considered an original; or monoprints/monotypes, which combine printmaking with painting or drawing to produce one-off results.
Together, these practices show how artists continually experiment with the boundaries of uniqueness and reproducibility, offering collectors a wide spectrum of possibilities.
While these are two distinct categories, the picture is often more nuanced. Many works exist between the unique and the editioned: unique trial proofs, printed to experiment with color or composition before an edition is finalized; unique variations, where an artist alters each impression by hand, making every example different; sculptor’s editions, where a limited number of casts are produced, each considered an original; or monoprints/monotypes, which combine printmaking with painting or drawing to produce one-off results.
Together, these practices show how artists continually experiment with the boundaries of uniqueness and reproducibility, offering collectors a wide spectrum of possibilities.