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Tobias Rehberger
Spy, 2019
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Damien Hirst
Beautiful Flavour of the Month, 2014
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Dan Flavin
Untitled (to Robert Ryman), 1996
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Joseph Kosuth
Quoted Use #1-8, 2019
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Heimo Zobernig
Untitled, 2004/2019
EUR 4,000
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Heimo Zobernig
Untitled, 2004/2019
EUR 4,000
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Dan Flavin
Untitled (to Jörg Schellmann), 1994
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Dan Flavin
Untitled (to Jörg Schellmann), 1994
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Joseph Beuys
Badewanne für eine Heldin (Bathtub for a Heroine), 1984
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Monica Bonvicini
Home is Where You Leave Your Belt, 2019
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Sol LeWitt
Wall Drawing #891, 1998
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Haim Steinbach
Untitled (Thonet chair, Jackson guitar), 2019
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Dan Flavin
Untitled (to Mary Elizabeth), 1992
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Dan Flavin
Untitled (to Madeline and Eric Kraft), 1992
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Gerhard Merz
The Chair of the Architect, 2019
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John Armleder
Untitled (Thonet), 2019/2025
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Joseph Kosuth
Thonet in Triplicate, 2019
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Rosemarie Trockel
DINING Table, 2021/2025
EUR 8,000 (+ EUR 1,500 for the trestles)
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Thomas Ruff
Zycle (Thonet), 2021/2025
EUR 8,000
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Tobias Rehberger
Not always but better, 2021/2025
EUR 8,000
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Sarah Morris
Aggressivity and Thinking, 2021/2025
EUR 12,000
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Joseph Kosuth
‘Table, Tabula’ [Tabletop Only Format], 2019/2025
EUR 8,000
+ EUR 1,500 for the trestles
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Joseph Kosuth
‘Table, Tabula’ [Table Format], 2019/2025
EUR 8,000
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Anish Kapoor
Fold, 2024/2025
EUR 30,000
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Keith Haring
Table Top, 2019/2025
EUR 8,000
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Peter Halley
Serpentine Table, 2021/2025
EUR 8,000
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Daniel Buren
[Table Tops], 2021/2025
EUR 9,000
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Daniel Buren
[Table Top Installations], 2021/2025
EUR 28,000
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John Armleder
Untitled (Thonet), 2021/2025
EUR 8,000
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Rosemarie Trockel
Mavericks, 2024
EUR 2,000
Direct checkout

Luc Tuymans
Win, 2024
EUR 1,500
Direct checkout

Santiago Sierra
Self-Portrait, 2006/2024
EUR 1,000
Direct checkout
What are unique artworks vs limited editions?
Generally, a unique artwork is a one-of-a-kind creation – such as a painting, drawing, or sculpture – that exists as a single original work. A limited edition, by contrast, consists of a set number of identical works, each signed and numbered by the artist, with no further editions produced once the run is complete.
While these are two distinct categories, the picture is often more nuanced. Many works exist between the unique and the editioned: unique trial proofs, printed to experiment with color or composition before an edition is finalized; unique variations, where an artist alters each impression by hand, making every example different; sculptor’s editions, where a limited number of casts are produced, each considered an original; or monoprints/monotypes, which combine printmaking with painting or drawing to produce one-off results.
Together, these practices show how artists continually experiment with the boundaries of uniqueness and reproducibility, offering collectors a wide spectrum of possibilities.
While these are two distinct categories, the picture is often more nuanced. Many works exist between the unique and the editioned: unique trial proofs, printed to experiment with color or composition before an edition is finalized; unique variations, where an artist alters each impression by hand, making every example different; sculptor’s editions, where a limited number of casts are produced, each considered an original; or monoprints/monotypes, which combine printmaking with painting or drawing to produce one-off results.
Together, these practices show how artists continually experiment with the boundaries of uniqueness and reproducibility, offering collectors a wide spectrum of possibilities.