Six Discussion Screens

Six Discussion Screens
2009
Restructured Diagrammed

Restructured Diagrammed
2007
65th Floor Lobby Design

65th Floor Lobby Design
1999/2015
A short text on the possibility of creating an economy of equivalence

A short text on the possibility of creating an economy of equivalence
2006
Weekday in Sochaux

Weekday in Sochaux
2006
William H. Danforth...

William H. Danforth...
2009
Multiplied Discussion Structure

Multiplied Discussion Structure
2007
Shelf System A

Shelf System A
2008
Furniture System

Furniture System
2013
 
 
 
 
Six Discussion Screens
Liam Gillick

Six Discussion Screens
2009

Six digital pigment prints (Ditone),
100 x 80 cm (39½ x 31½"), each,
edition of 40, each signed and numbered.




Set EUR 11.000



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Six Discussion Screens
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Six Discussion Screens
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Six Discussion Screens
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Six Discussion Screens
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Six Discussion Screens
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Six Discussion Screens
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Restructured Diagrammed
Liam Gillick

Restructured Diagrammed
2007

From Wall Works
Wall covered with pattern in acrylic paint, executed by using a 40 x 40 cm (16 x 16") stencil in one of four colors. Overall dimensions according to the wall. Limited to 12 installations, with a signed and numbered certificate giving specific instructions for on-site installation.

Restructured Diagrammed



EUR 12.000



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Restructured Diagrammed
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65th Floor Lobby Design
Liam Gillick

65th Floor Lobby Design
1999/2015

From Wall Works
Wall painting in acrylic paint with floor to ceiling stripes in up to four colors according to the length of the wall. Limited to 15 installations, with a signed and numbered certificate giving specific instructions for on-site installation.

65th Floor Lobby Design





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A short text on the possibility of creating an economy of equivalence
Liam Gillick

A short text on the possibility of creating an economy of equivalence
2006

From Door Cycle
Stainless steel on laminated wooden door panel
with silkscreen in three color variations: white, black and orange. Size: 200 x 90 x 4.2 cm (78¾ x 35½ x 1½").
Edition: 15 (5 in each color), signed and numbered
on separate label.

A short text on the possibility of creating an economy of equivalence

Liam Gillick (born 1964 in Aylesbury, Great Britain, lives and works in London and New York) works in a whole range of different media. His art does not simply consist of spacious installations, graphically complex texts and minimalist objects. He also publishes full-length books, composes film music, arranges exhibitions and produces architectural designs. The "parallelism" of his work is crucial. On the one hand his projects are "free artistic expression"; on the other, they are "applied art", apparently with a clearly defined practical purpose.
Between the two spheres of activity, he creates for himself a space for discourse on a wide variety of subjects. Gillick´s aesthetic philosophy transcends the separation between pure theory and simple practicality, and that between poetic fiction and empirical fact. Gillick uses the forms and the materials of abstract art and of the Minimal Art of the sixties as tools to show to which degree our worldwide economic system has become even more abstract than the art of the same name. The title of the work shown here is the same as that of a large exhibition at the Palais de Tokyo, Paris and La Caas Encendida, Madrid in 2005. Both these exhibitions and the door relate to a work in progress - a lengthy text structure that focuses on post-industrial developments in consensus based European cultures. The door is a reference to a moment in the text when the former workers of a now-closed Swedish car factory return to their former workplace and rearrange the signage and information in order to create a new architecture of desire and refusal.


EUR 15.000



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Weekday in Sochaux
Liam Gillick

Weekday in Sochaux
2006

Anodized aluminum wall object in four layers/colors,
70 x 70 x 6 cm (27½ x 27½ x 2¼"). The object comes
in 4 different color variations (layers rotating in color).
Edition: each in an edition of 8, altogether 32; signed
and numbered on label.






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Weekday in Sochaux
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William H. Danforth...
Liam Gillick

William H. Danforth...
2009

From the portfolio Forty Are Better Than One
[William H. Danforth (When purity was paramount) #2]
6-part leporello, digital pigment print (Ditone) on
188 g Hahnemühle Photo rag paper, 32 x 150 cm
(12½ x 59 in). Edition: 75, signed and numbered.




EUR 800



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Multiplied Discussion Structure
Liam Gillick

Multiplied Discussion Structure
2007

Powder-coated aluminum, 41 x 61 x 245 cm.
Three different color combinations; edition of 25 each.

Liam Gillick considers this construction to be a
sculpture that can be used as a table or a bench.




EUR 11.000 each color version



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Multiplied Discussion Structure
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Shelf System A
Liam Gillick

Shelf System A
2008

Powder-coated aluminum, 10 x 20 x 100 cm each element.
Shelf consisting of 6 elements to be mounted
onto the wall, overall height from floor 180 cm.
Three different color combinations; edition of 25 each.




EUR 11.000 each color combination



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Shelf System A
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Furniture System
Liam Gillick

Furniture System
2013

5 pieces, aluminum 4 x 4 cm, powder-coated
Dimensions cm:
Table 180 long x 90 wide x 74 high
Bench 180 long x 40 wide x 44 high
Shelf vertical 166 high x 100 wide x 40 deep
Shelf horizontal 90 high x 200 wide x 40 deep
Table low 100 x 100 x 35 high
Colors:
Purple, gray, orange, cream, turquoise
Limited to an edition of 25 in each color.

Produced and distributed by Schellmann Art






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Furniture System
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